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Ultra Q

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"In the next thirty minutes, you will open the door to this mysterious world and regain a lost eternity."

―Opening narration

Ultra Q (ウルトラQ, Urutora Kyū, the "Q" stands for "Question") is a tokusatsu sci-fi/kaiju series made in the tradition of Toho's many tokusatsu sci-fi/horror films.

Produced in black and white by Tokyo Broadcasting System/Tsuburaya Productions, this is actually the first of the long-running Ultraman Series, and was broadcast at every weekend at 19:00-19:30 (JST) on Tokyo Broadcasting System from January 2 to July 3, 1966 (the final episode was preempted until December 14, 1967), with a total of 28 episodes. This series was followed a week later by the more popular Ultraman, the second entry in the Ultraman Series.

This show can be watched on Shout TV, Pluto TV, Tubi, and Prime Video.

Production[]

UNBALANCE

The proposal document for UNBALANCE includes 13 sample stories collaborated on by the SFWJ. Ultimately, only three of these episodes were broadcast as part of Ultra Q.[1]

Tsuburaya Productions was founded by Eiji Tsuburaya and officially established on 12 April 1963. However, as early as 1962, the company began planning the sci-fi TV series WoO at the request of Fuji Television. The first script for WoO was submitted to Fuji Television in April 1963. In June, TBS Television also proposed a special effects series. Both Fuji Television and TBS were seeking to gain an advantage in the growing television market by using special effects.[1][2]

Tetsuo Kinjo, the Director of Planning and Literature at Tsuburaya Productions, led both projects.[3] Collaborating with the Science Fiction and Fantasy Writers of Japan, WoO told standalone stories about cosmic creatures. In contrast, TBS's UNBALANCE was a suspenseful serialised drama inspired by American shows such as The Twilight Zone and The Outer Limits. Exploring what would happen if the balance of nature was disturbed, it depicted human reactions to mysterious phenomena with Tsuburaya's special effects.[4] These pioneering projects required extended planning. WoO was set to air in autumn 1964 and Unbalance was scheduled to start filming in June 1964.[5][6][2]

By then, WoO was in the planning stages for its second quarter. In August, the show and its lead actress were featured in a sports newspaper. Despite some delays, the final scripts for episodes one and two were completed in September. However, contract issues ultimately led to the cancellation of WoO. Meanwhile, the UNBALANCE project was proceeding smoothly. In August 1964, TBS commissioned a one-season run of 13 episodes at a cost of 13 million yen. By September, drafts of "Metamorphosis," "Mammoth Flower," and "The Devil Child" were ready. Filming of "Mammoth Flower" began on 27 September, officially marking the start of production of UNBALANCE.[7][8][2]

Oxberry Optical printer

To meet production needs, Tsuburaya Productions purchased an Oxberry optical printer from the US. The printer was later used long-term at the TBS Laboratory.[9][10][11]

TBS actively supported 'UNBALANCE' and purchased an optical printer to ensure production quality.[12] Originally, Eiji Tsuburaya had planned to pay for the equipment with fees from both projects, but after WoO was cancelled, Tsuburaya Productions cancelled the order through an agent. However, the printer was already en route to Japan at a cost of 40 million yen, which the company could not afford. Hajime Tsuburaya,, who worked in TBS's Film Department, used his connections to convince TBS Programming Director Naomichi Omori to purchase the printer on Tsuburaya's behalf. The printer was installed at TBS and used during the production of Ultra Q. At that time in Japan, owning an optical printer capable of overlaying three images was unheard of in TV production. Operators used detailed instructions to handle composite cuts, timing and other tasks.[13][2]

TBS aimed to leverage Tsuburaya Productions' "Tsuburaya of the World" reputation for overseas sales. The contract covered 13 episodes per season, with TBS paying Tsuburaya Productions approximately 70 million yen. While the average production cost for a 30-minute TV episode was 1.5 million yen at the time, UNBALANCE was budgeted at 5 million yen per episode, making it the most expensive TV series in Japan at the time. [14][2]

Filming[]

Ultra Q 1966 41

"The production team of Ultra Q on the set filming the episode "Defeat Gomess!"

During the production of Unbalance, the first episode was directed by Koji Kajita, who had served as chief assistant director to Ishiro Honda at Toho. Keiji Kawakami was the special effects director. Initially, a separate special effects team was not formed in order to reduce costs. However, due to the tight filming schedule, a dedicated team was later created. Despite TV productions usually using 16mm, Eiji Tsuburaya insisted on using 35mm film for the entire production to ensure the effects matched the standard of theatrical films. This included plans to enhance composite accuracy with an optical printer. Tsuburaya and Kawakami collaborated on episodes such as "Phantom Car" and "Open Up!". The planned fourth episode, 'Phantom Car', was postponed in October after TBS raised concerns about its content. "Open Up!" and "The Gift From Space" were filmed between late October and early December 1964.[2]

During this period, Kaichi Iwasaki[15] from TBS programming suggested changing the series title. Inspired by the "Ultra C" gymnastics move that was popular during the 1964 Summer Olympics, the new title 'Ultra Q' was chosen. It reflected the show's direction, piquing audience curiosity with the question, 'What is this?', and emphasising its advanced special effects. The name change was officially announced in early January 1965.[16][17][2]

In December 1964, Takashi Kakoi, the TBS producer who had replaced Hitoshi Shibusawa, reviewed the first three completed episodes and samples of "Open Up!" and "The Gift From Space." Given Eiji Tsuburaya's involvement, he advocated shifting to a more 'kaiju-oriented' approach. Tsuburaya Productions accepted this and halted 'Phantom Car', revising the scripts for "I Saw a Bird" and "The 1/8 Project" to better fit the emerging style of Ultra Q. They also added a monster scene to the sci-fi drama "The Disappearance of Flight 206," completing the final script for 'Ultra Q'. From then on, scripts mainly focused on monsters.[18][19]

Because Eiji Tsuburaya had a high standing with Toho, he was able to use various suits and props from Toho's kaiju films for this series. The Manda prop was used for the Dragon, with the head also serving as the front portion of a Viking ship seen in episode 12. The giant octopus prop from "King Kong vs. Godzilla" was used to portray Sudar, while the Maguma suit from "Gorath" was used to portray Todora. Additionally, various other suits and props were refurbished to play some of the monsters, such as Godzilla for Gomess, King Kong for Goroh, Baragon for Pagos, and a small Rodan prop for the giant birds Larugeus and Litra.

In January 1965, the episode count for the first quarter increased from 13 to 15, and the broadcast scheduled for April was postponed. TBS concluded that further preparation was required and, in February, approved the production of an additional 13 episodes for the second quarter. There was a consensus that Sunday evenings at 7 pm were the ideal time slot for Ultra Q, which TBS regarded as a flagship programme. Work also began on an English version to support export sales and production funding. Promotional activities mainly targeted youth, beginning with an illustrated story of 'Mammoth Flower' in the April issue of Kodansha's Bokura magazine, followed by serialisations in Ultra Q and Weekly Shonen Magazine. [20]

As production progressed, the second quarter's episodes began filming in March, with Toho's Samaji Nonagase and TBS's Toshihiro Iijima directing. From episode 14 onward, creators like Tohl Narita, Ryosaku Takayama, Samaji Nonagase, and Toru Matoba joined the team.[21]

Ultra Q 1965 12

Ultra Q promotional cover in Weekly Shōnen Magazine, published on December 26, 1965[22]

The series flourished with the rise of monster-themed episodes. Ultra Q's official broadcast was scheduled for late September 1965, as first reported by the Naigai Times on 30 September. Following an evaluation of the pilot screening by the marketing director of Takeda Pharmaceutical Company, the unpopular 'The New Samurai' was cancelled and Ultra Q was scheduled for the 'Takeda Time' slot, starting on 2 January 1966. In October, TBS formed the 'Super Liaison Committee' (ULC) to launch a major promotional campaign involving TBS, its affiliates, Tsuburaya Productions, Takeda Pharmaceuticals and the advertising agency Senkosha. On 22 October, "Goro and Goroh" underwent reshoots due to sponsorship requirements.[20]

Following a preview screening for broadcasters in Osaka, an introductory programme titled The Mystery of Ultra Q: The World of Monsters aired on 25 December 1965. The following day, preview screenings of "The Gift From Space" and "Goro and Goroh" took place at the TBS Hall. Production was finished by the end of the year, with mixing continuing until mid-January.[23][24][25]

Impact[]

Ultra Q 1966 42

The main actors of Ultra Q participated in the production press conference

Following its broadcast in 1966, Ultra Q became a major hit, popularising the kaiju genre, which had previously only appeared in films, and sparking the first Monster Boom. Most episodes achieved viewership ratings of over 30%. The first batch of related records, 30,000 copies across several companies, sold out quickly, eventually reaching sales of one million. Merchandise also sold well. Favourable licensing terms were carried over to the next series, Ultraman, where soft vinyl kaiju figures became iconic bestsellers. Revenue from these products helped offset production costs. [26] [20]

Though initially aimed at children and families, the show soon became popular with older elementary and middle school students too. Its reach was further broadened when it was featured in serialised manga in Shogaku Gonensei and covered in magazines for older readers.

TBS asked Tsuburaya to develop a follow-up series focusing on monster battles and giant heroes. This resulted in the creation of Ultraman, which proved even more popular and launched a long-running franchise. In 1973, Tsuburaya revisited the original Unbalance concept, producing a 13-episode horror anthology series Horror Theater Unbalance.

Synopsis[]

As supernatural events and monster attacks rock Japan, the military and government look to be overwhelmed. Three intrepid young investigators—two pilots and a reporter—take it upon themselves to study these unexplained phenomena in order to inform and protect the public.

With allies and science aiding them on their journey, the trio must separate myth from history as they explore the greater mysteries of these occurrences: are they unrelated, or is this barrage somehow a portent of even worse things to come?[27]

Characters[]

Protagonists[]

Kaiju[]

English Dub[]

Page from United Artist Television's Press Kit

A page from United Artists Television's press kit

In 1967, Ultra Q was licensed from Tsuburaya Productions and TBS by CBS Films, producers of The Twilight Zone. It was a package deal that not only included Ultra Q, but also Ultraman. For the task of dubbing, CBS hired Film House in Toronto, Canada, which is now DeLuxe Toronto. Tsuburaya provided translated scripts, plus English-language opening and closing credits, and a custom swirling title card. The series itself was dubbed in its 28-episode entirety. At some point, CBS Films backed out of licencing the series, and it was picked up, along with Ultraman, by United Artists Television, producers of The Outer Limits. With dubbing of Ultra Q complete, United Artists hired Titra Studios to dub Ultraman. Ultraman was syndicated; however, Ultra Q was not, due to being in black-and-white at a time when most television series were switching to color. After Ultraman finished its run in syndication, audio and film masters and other materials of both series were stored in the MGM vaults. In the late 1990s and early 2000s, all materials reverted back to, and were collected by, Tsuburaya.[5][28]

It is commonly believed that only one episode, specifically episode 3, was dubbed as a pilot. This has proven not to be true, as other episodes have been found either in audio prints, like episode 3, or film or video prints. From here it can be concluded that this was not the only episode produced.

Cast[]

  • Jun Manjome (万城目 淳, Manjōme Jun): Kenji Sahara (佐原 健二, Sahara Kenji)
  • Ippei Togawa (戸川 一平, Togawa Ippei): Yasuhiko Saijo (西條 康彦, Saijo Yasuhiko)
  • Yuriko Edogawa (江戸川 由利子, Edogawa Yuriko): Hiroko Sakurai (桜井 浩子, Sakurai Hiroko)
  • Dr. Ichinotani (一の谷博士, Ichinotani Hakase): Ureo Egawa (江川 宇礼雄, Egawa Ureo)
  • Deskworker Seki (関デスク, Seki Desuku): Yoshifumi Tajima (田島 義文, Tajima Yoshifumi)
  • Assistant Honda (本多助手, Honda Joshu): Tadashi Okabe (岡部 正, Okabe Tadashi)
  • Reporter Soma (相馬記者, Soma Kisha): Haruya Kato (加藤 春哉, Kato Haruya)
  • Photographer Sugimoto (杉本カメラマン, Sugimoto Kameraman): Koji Uno (宇野 晃司, Uno Kōji)
  • Narration (ナレーション, Narration): Koji Ishizaka (石坂 浩二, Ishizaka Kōji)

Suit Actors[]

  • Gomess, Pagos: Haruo Nakajima (中島 春雄, Nakajima Haruo)
  • Goro, Gameron, Mongula, Todola: Yukio Fukutome (福留 幸夫, Fukutome Yukio)
  • Peguila: Yukihiro Seino (清野 幸弘, Seino Yukihiro)
  • Gorgos, M1, Kanegon, Peter: Haruyoshi Nakamura (中村 晴吉, Nakamura Harayoshi)
  • Garamon: Minoru Takahashi (高橋 実, Takahashi Minoru)
  • Kemur, Ragon: Bin Furuya (古谷 敏, Furuya Bin)

Staff[]

Legacy[]

In the years following the show's original run, a live action film called Ultra Q The Movie: Legend of the Stars was released in 1990. A radio program featuring the voices of the three original stars of the show (playing their classic characters) called The Ultra Q Club aired on Japanese radio from 2003-2004. Also in 2004, a new TV series called Ultra Q: Dark Fantasy was produced, while another TV series called Neo Ultra Q began airing in early 2013.

The original concept of the show (when it was going to be called Unbalance) was ultimately used for a 13-episode horror anthology series entitled Horror Theater Unbalance that was produced by Tsuburaya Productions in 1973.

Various Ultra Q monsters were reused or redressed for various monsters in Ultraman. Kemur and Ragon (both now giant-sized) returned, while the Garamon suit was reused and the monster was reduced in size and renamed Pigmon. Other suits were altered into other monsters, such as Peguila being altered into Chandlar, Kemur being altered into Alien Zetton, Pagos being altered into Neronga, Magular, and Gabora, the Cicada Man being altered into Alien Baltan, and Peter being altered into Guesra.

Home Media[]

Shout! Factory released the complete series of Ultra Q on DVD on August 13, 2013.[29]

Total Natural Color Ultra Q Box I features episodes 1-14, and Box II features episodes 15-28. Both of these box sets were released during the 45th anniversary of the show. Ultra Q Deluxe Edition features all 28 episodes. In 2019, Mill Creek Entertainment released Ultra Q as standard and SteelBook Blu-ray releases in the United States.

Gallery[]

Images[]

Videos[]

Trivia[]

  • The opening animation title of Ultra Q, accompanied by eerie background music, gradually transforms into the Ultra Q logo. This process was created by the special effects team, led by Koichi Takano:[30][31]
    • The method involves attaching two screws to the bottom of a developing tray, then filling it with laundry starch mixed with black liquid. This forms the backdrop, creating an atmosphere that conveys an unbalanced, fourth-dimensional tone. On top of this, white powder is placed in a mold to shape the Ultra Q logo.
    • Next, the screws are manually turned, causing the image to distort as the propeller spins. The camera is then reversed to capture this transformation. When the resulting film is projected in its normal state, the Ultra Q logo rotates, creating the iconic title sequence.

External Links[]

References[]

  1. ↑ 1.0 1.1 https://weekly.ascii.jp/elem/000/001/273/1273700/
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Ultra Tokusatsu PERFECT MOOK vol. 06: Ultra Q, pg 4
  3. ↑ https://www.tamagawa.jp/introduction/tamagawa_trivia/tamagawa_trivia-32.html
  4. ↑ https://news.mynavi.jp/article/20181110-721889/
  5. ↑ 5.0 5.1 Eiji Tsuburaya: Master of Monsters: Defending the Earth with Ultraman and Godzilla by August Ragone. Chronicle Books (2007). ISBN 978-0-8118-6078-9.
  6. ↑ https://news.line.me/detail/oa-penonline/osj4b9v7p8z7?mediadetail=1
  7. ↑ http://ultraq.web.fc2.com/process.html
  8. ↑ https://cocreco.kodansha.co.jp/telemaga/news/YZSAr
  9. ↑ https://www.jstage.jst.go.jp/article/itej1954/18/9/18_9_542/_pdf/-char/ja
  10. ↑ https://ure.pia.co.jp/articles/-/43771?page=2
  11. ↑ https://qqquuu7.web.fc2.com/sfx02.html
  12. ↑ https://ascii.jp/elem/000/001/271/1271733/
  13. ↑ https://weekly.ascii.jp/elem/000/001/400/1400519/
  14. ↑ http://ultraq.web.fc2.com/unbalance.html
  15. ↑ https://www.iwasakiyoshikazu.info/ホーム/岩崎嘉一-足跡
  16. ↑ https://achami-network.under.jp/ultra-event/ultraq/ultra-q
  17. ↑ https://www.asahi.com/articles/ASN1N3V8MN1HULZU007.html
  18. ↑ https://magmix.jp/post/58708
  19. ↑ https://kaigo-postseven.com/103280
  20. ↑ 20.0 20.1 20.2 UPM 06, pg 5
  21. ↑ https://www.eonet.ne.jp/~negiboze/uqcastaff.html
  22. ↑ https://nakanojapan.com/postname-28/
  23. ↑ https://ascii.jp/elem/000/001/274/1274569/
  24. ↑ https://ameblo.jp/takagi-mania/entry-12833860033.html
  25. ↑ https://x.com/pagos_ke/status/945064255103016960
  26. ↑ https://toyokeizai.net/articles/-/423036
  27. ↑ https://tsuburaya-prod.com/business/titlelist/3352
  28. ↑ https://web.archive.org/web/20231004072851/https://www.grnrngr.com/documents/miyake/ultraq.txt
  29. ↑ http://www.tvshowsondvd.com/news/Urutora-Q-The-Complete-Series/18445
  30. ↑ Ultraman Official Data File No.20, pg 29
  31. ↑ https://internet.watch.impress.co.jp/docs/yajiuma/1034517.html

  • The Q-Files: Complete Ultra Q Episode Guide by Jim Cirronella and Kevin Grays, originally published in KAIJU-FAN #4 (November 1996)
  • Ultraman Monster Ultra Large Collection　(orig.: ウルトラ怪獣大全集). Domdom (1995). ISBN 978-4-09-101411-5.
  • So Crazy Japanese Toys! by Jimbo Matison. Chronicle Books (2003). ISBN 978-0-8118-3529-9.
Productions
Showa Series Ultra Q | Ultraman | Ultraseven | Return of Ultraman | Ultraman Ace | Ultraman Taro | Ultraman Leo | Ultraman 80
Heisei Series Ultraman Tiga | Ultraman Dyna | Ultraman Gaia | Ultraman Cosmos | Ultra Q: Dark Fantasy | Ultraman Nexus | Ultraman Max | Ultraman Mebius | Ultraseven X | Ultra Galaxy Mega Monster Battle | Ultra Galaxy Mega Monster Battle: Never Ending Odyssey | Neo Ultra Q | Ultraman Ginga | Ultraman Ginga S | Ultraman X | Ultraman Orb | Ultraman Geed | Ultraman R/B
Reiwa Series Ultraman Taiga | Ultraman Z | Ultraman Trigger: New Generation Tiga | Ultraman Decker | Ultraman Blazar | Ultraman Arc | Ultraman Omega
Outside of Japan Ultraman: The Adventure Begins | Ultraman: Towards the Future | Ultraman: The Ultimate Hero | Ultraman: Rising
Original Video and TV Special Ultra Fight | Ultraman vs. Kamen Rider | Ultra Super Fight | Ultraman Nice | Heisei Ultraseven | Ultraman Neos | Ultraman: Super Fighter Legend | Ultra Idemitsujin | Ultra Zone
Showa Movies Ultraman: Monster Movie Feature | Return of Ultraman | The 6 Ultra Brothers vs. The Monster Army | Ultraman (1979) | Ultraman: Great Monster Decisive Battle | Ultraman ZOFFY: Ultra Warriors vs. the Giant Monster Army | Ultraman Story
Heisei Movies Ultra Q The Movie | Revive! Ultraman | Ultraman Zearth | Ultraman Zearth 2 | Ultraman Tiga & Ultraman Dyna | Ultraman Tiga, Ultraman Dyna, & Ultraman Gaia | Ultraman Tiga: The Final Odyssey | Ultraman Cosmos: The First Contact | Ultraman Cosmos 2 | New Century Ultraman Legend | Ultraman Cosmos vs. Ultraman Justice | New Century 2003 Ultraman Legend | ULTRAMAN (2004) | Ultraman Mebius & the Ultra Brothers | Superior 8 Ultra Brothers | Mega Monster Battle Ultra Galaxy: The Movie | Ultraman Zero: The Revenge of Belial | Ultraman Saga | Ultraman Ginga Theater Special | Ultraman Ginga Theater Special: Battle Royale | Ultraman Ginga S The Movie | Ultraman X The Movie | Ultraman Orb The Movie | Ultraman Geed The Movie | Ultraman R/B The Movie
Reiwa Movies Ultraman Taiga The Movie | Ultraman Trigger: Episode Z | Shin Ultraman | Ultraman Decker Finale | Ultraman Blazar The Movie | Ultraman Arc The Movie
Short Films Ultraman, Ultraseven: Great Violent Monster Fight | Mirrorman Pilot Film | Ultra Q No.29: Darkness is Coming! | Return of Ultraman: MAT Arrow 1 Takeoff Order | Ultraman Neos Pilot | Ultraman Tiga 〜To the Children of Light〜 | Fierce Battle! Ultraman Takamiy | ULTRAMAN_n/a | Ultraseven IF Story
Spin-Offs Andro Melos | Ultraman Zearth: Parody Chapter | Revival of the Ancient Giant | The Return of Hanejiro | Gaia Again | The Ultra Q Club | Ultraman Kaiju Legend | Hikari Saga | Armored Darkness | Ghost Rebirth | Ultraman Zero VS Darklops Zero | Q -Door to Another Dimension- | Killer the Beatstar | Ultra Zero Fight | Ultra Fight Victory | Ultraman Orb THE ORIGIN SAGA | Ultra Fight Orb | New Generation Heroes | The Absolute Conspiracy | Sevenger Fight | Struggle of Special Section 3 | The Destined Crossroad | Continued Ultra Fight | Shin Ultra Fight | Return of Special Section 3 | Ultraman Regulos | Ultraman Regulos: First Mission | SKaRD Break Room | Ultraman 4K Discovery
Dramas and Docudramas Fly in the Sea Breeze!! Ultraman | The Men Who Made Ultraman | Superhuman Detective Shuwatch | My Beloved Ultraseven | The Man Who Wanted to Be Ultraman | The Kaiju Club | The Two Ultramen
Rebroadcast Shows Ultraman Retsuden | New Ultraman Retsuden | Ultraman Zero: The Chronicle | Ultraman Orb: The Chronicle | Ultraman New Generation Chronicle | Ultraman Chronicle: ZERO & GEED | Ultraman Chronicle Z: Heroes' Odyssey | Ultraman Chronicle D | Ultraman New Generation Stars
Other Series and Movies Kaiju Booska | Captain Ultra | Mighty Jack | Fight! Mighty Jack | Operation: Mystery | Scat of Single | Chibira-kun | Mirrorman | Redman | Triple Fighter | Emergency Directive 10-4·10-10 | Iron King | Horror Theater Unbalance | Fireman | Jumborg Ace | Mirror Fight | Jumborg Ace & Giant | Mars Men | Army of the Apes | Pro-Wrestling Star Aztecaser | The Last Dinosaur | Dinosaur Expedition Born Free | Dinosaur Great War Izenborg | Star Wolf | Dinosaur Squadron Koseidon | Our Baseball Detective Team | Anime-chan | Gridman the Hyper Agent | Superhuman Samurai Syber-Squad | Moon Spiral | Cyber Beauties Telomere | Booska! Booska!! | Otasuke Girl | Mysterious Incident Special Investigation Team SRI | Mirrorman REFLEX | Bio Planet WoO | Operation: Mystery - Second File | Mirror Fight 2012 | Operation: Mystery - Mystery File | Gridknight Fight
Anime The☆Ultraman | Ultraman Kids (Pleasant Friends of Planet M7.8, Proverb Stories, 30 Million Light-Years) | Ultraman Graffiti: Wild! Ultra Country | Ultraman: Super Fighter Legend | Ultra Nyan | Ultra Nyan 2 | Ultraman M78 Theater Love & Peace | Gridman the Hyper Agent: boys invent great hero | The・Ultraman: Jackal vs. Ultraman | Kaiju Sakaba Kanpai! | Kaiju Girls | SSSS.GRIDMAN | ULTRAMAN (2019) | Kaiju Step Wandabada | SSSS.DYNAZENON | KAIJU DECODE | GRIDMAN UNIVERSE
Documentaries and Informational Series The Father of Ultra Q | Ultra Information Station | Ultra's Cradle | Ultra Heroine Legend (From Anne to Seven, Contest of Goddesses) | Ultra Q Kaiju Legend | Ultraman The Prime | Return of Izenborg | ULTRAMAN ARCHIVES | Takaya's Room | Ultra Science Fantasy Hour | Ultra Fight Club | UlSummer Information Station | Tomokazu Seki's ULTRA CLUB | Ultra Construction Tour | Ultra Information Center | Ultraseven Legend | Professor Teruaki's "Blazar Kaiju Academy" | Super Power! Ultra Encyclopedia! | Ul-Katsu Life | THE ORIGIN OF ULTRAMAN
Outlaw Content Space Warriors 2000 | Project Ultraman | Ultraman The Animation | Ultraman: A Little Journey on Earth | Fun... English with Ultraman | Young Ultraman | Ultraman Big Transformation | Sinic Q | Red Jade | Dragon Force: So Long Ultraman | Dragon Force: Rise of Ultraman
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